It is all really well making ground-breakingly just right TV, however what occurs when it’s a must to observe it up?
That is the problem confronted through Half Man, Richard Gadd’s new restricted sequence following his large good fortune with 2024’s Baby Reindeer.
So how does the sequence, directed through Alexandra Brodski and Eshref Reybrouck, evaluate? Neatly, the 2 presentations have their similarities and variations. Part Guy is not as humorous as Child Reindeer. Each are very darkish. Each have characters at battle with themselves. The query is, which is healthier? And the way can Part Guy hope to compete with a predecessor that earned such a lot of audience, armchair detectives, and awards?
What is Part Guy about?
Set in Glasgow, Scotland, the six-episode BBC/HBO display jumps between two timelines. Every episode is framed through snapshots of a marriage within the provide day. Niall (All of Us Strangers‘ Jamie Bell) is getting married. However the instance is marred through the coming of his step-brother Ruben (Gadd), who obviously has unfinished trade with Niall that is going past wishing him the entire easiest for the longer term.
Flashbacks slowly disclose why. The primary 3 episodes take us again to the principle characters’ teenage years, when a bullied Niall (Mitchell Robertson) sees his existence upended through Ruben (Stuart Campbell) being launched from a tender perpetrator’s institute and coming to reside with him and his mom Lori (Neve McIntosh). Niall, a susceptible teenager suffering together with his sexuality, is each obsessive about and scared of Ruben — a tall boy with tattoos and a swagger, who turns out to purpose chaos anyplace he is going.
Part Guy follows the highs and lows in their lives, from faculty and college into maturity, gazing as the 2 depend on, love, and from time to time despise one some other, all whilst the sequence tries to unpack what it’s that makes an individual the way in which they’re.

Stuart Campbell and Mitchell Robertson play a tender Ruben and Niall.
Credit score: Anne Binckebanck / HBO
Part Guy is a painful exploration of masculinity and sexuality
Some of the major issues that runs all over the display is Niall’s battle together with his sexuality. He is obviously acutely aware of his enchantment to males from a tender age, however it is simply as transparent that he cannot settle for it. Self-hatred and internalised homophobia manner he hides that a part of him away. On the other hand, he later visits dogging spots (public or semi-public puts for sexual encounters) and chem sex parties, which places him in danger from blackmailers and police.
As with Child Reindeer, Gadd’s writing in Part Guy does a very good task of subtly exploring the problems its major characters face. Niall and Ruben are each closed off in their very own tactics, however the display lets in their movements to talk volumes even if they close down, leaving room for the proficient solid to counterpoint the script with refined movements and facial expressions. And within the uncommon moments when the characters do open up, the discussion is stuffed with the gut-punches we have come to be expecting from Gadd.
“Why cannot you simply be pleased with that aspect of your self?” Niall’s female friend Ava (Anjli Mohindra) asks him in a single key second. “It is the twenty first century, no one cares anymore.”
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“That does not make me really feel any higher,” responds Niall. “The truth that the arena is progressing simplest provides to the issue as a result of now not simplest am I ashamed, I am bloody irrational too.”
When Ava tells Niall that “everybody who issues is aware of” about his sexuality, his reaction, delivered in a strangled yell through Bell, is painful to listen to: “As a result of I have no idea.”

Niall struggles to come back to phrases with himself all over “Part Guy”.
Credit score: Anne Binckebanck / HBO
Does Part Guy have any weaknesses?
In spite of simplest being round six hours lengthy, Part Guy crams so much in. Most likely an excessive amount of.
Transferring from early life to maturity, the display’s time bounce is a key narrative motive force, making us need to stay gazing to determine what precisely has led Niall and Ruben to some extent of violence on Niall’s wedding ceremony day — nevertheless it does additionally result in a small drawback within the tale. This happens in episode 4 when the timeline ticks forwards to Niall and Ruben’s grownup selves and the core solid adjustments from Robertson and Campbell to Bell and Gadd. It comes with a reversal in the principle characters’ fortunes that, when coupled with the skipped decade, feels jarring to start with. As though perhaps we have overlooked an excessive amount of and are enjoying catch up.
Happily, the sensation does not closing. The time bounce must occur for the sake of the tale, and it isn’t lengthy prior to Gadd and Bell’s performances triumph over what will have been a slight narrative misstep to drag us into Part Guy‘s robust 2d act.
So is Part Guy as just right as Child Reindeer?
Part Guy is Gadd’s first foray into TV drama that is indirectly according to actual existence. It is a take a look at he passes. Part Guy is gripping, emotional, complicated, and scary, telling a tale of masculinity and brotherhood that feels rooted if truth be told even supposing the story is fictional. It stumbles from time to time however by no means falls, and the strengths hugely outweigh any negatives.
Is it as just right as Child Reindeer? No. However that might had been with regards to unimaginable. Child Reindeer, with its distinctive subject material, unbelievable mix of awkward comedy and intensely darkish issues, and true story tagline, felt like a groundbreaking display. The type of sequence that does not come alongside yearly. Part Guy walks a extra well-trodden trail. However it does what it does properly, cementing Gadd as a storyteller with much more to supply.
Half Man airs on HBO on Thursday, Apr. 23 at 9 p.m. ET and is to be had to circulation on HBO Max, with new episodes airing weekly. In the United Kingdom, the series is streaming on BBC iPlayer from Friday, Apr. 24, with new episodes airing weekly.







